Showing posts with label drama. Show all posts
Showing posts with label drama. Show all posts

Saturday, June 17, 2017

The Shadow of the Wind by Carlos Ruiz Zafón













At last, yes, at last! It was finito! What a read it was. Honestly, I thought it was never going to end, that the saga beginning in 1945, after the Civil War in Spain, was just too dragging and too detailed for my sensitive soul. Emotionally I shut down around the halfway mark, hanging onto the picturesque, descriptive prose for dear life, sensing a light at the end of the tunnel. 

Good lordie, miss molly, good gracious my angel, good heavens dear father! What a journey it was through the antique bookshop in Barcelona on Calle Santa Anna, to the streets of the city where the memories spilled like blood flowing like rain water though the gutters, where souls got ripped, raped and destroyed by the brutality of the war.

Nothing feeds forgetfulness better than war, Daniel. We all keep quiet and they try to convince us that what we’ve seen, what we’ve done, what we’ve learned about ourselves and about others, is an illusion, a passing nightmare. Wars have no memory, and nobody has the courage to understand them until there are no voices left to tell what happened, until the moment comes when we no longer recognize them and they return, with another face and another name, to devour what they left behind.

1945. Barcelona Spain. It was a book, Shadows of the Wind by one Julián Carax, which brought the history alive for young Daniel. Not because it was explained in the book, but because through mysterious events after reading the book. It was a rare book, which reverberated quickly through the echoe chambers of the world of book collectors. It immediately draw attention as the last book of the author. Daniel Sempere made a promise never to tell where he he found it and protect it as his most precious possession.

Daniel's father: This is a place of mystery, Daniel, a sanctuary. Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens.

The Cemetery of Forgotten Books, hidden behind heavy bolted doors and high walls, brought voices alive of authors passed and present, who needed their story discovered and told. 

Brave, curious, but innocent, ten-year-old Daniel Sempere did not foresee the consequences when he opened that particular book to read. Nor could the effect it would have on him and his father's life be calculated.

Clara: I had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language. For me all those things were born with that novel.

And so it was for Daniel as well. 

People populated Daniel's life from different walks of life. His journey to become a man, would cross paths with villains and angels; carers and destroyers. His life would forever be connected to those who survived the manslaughter of war.
When peace finally came, it smelled of the sort of peace that haunts prisons and cemeteries, a shroud of silence and shame that rots one’s soul and never goes away.

Along the way, a pathos and empathy grew for the people who managed to survive. A tragicomedy, a suspense thriller, a historical fictional tale - a culmination of the voices and ambiance in books such as: 
One Hundred Years of Solitude by Gabriel García Márquez; 
Captain Corelli’s Mandolin by Louis de Bernières; 
The Time in Between by María Dueñas; 
Winter in Madrid by C.J. Sansom; 
Picasso's War by Russell Martin; 
For Whom the Bell Tolls by Ernest Hemingway
The Return by Victoria Hislop
The Perfume Garden by Kate Lord Brown

Diction, motivation, actions - it all flows along the prose adding context to bravery and courage, unlocking the strange chain of destiny between them. To these people, hope was cruel, it had no conscious, and words were sometimes better of in their prison of memories. Daniel had the power to keep these voice on paper alive, to allow them to be remembered.

And then there is the backdrop of love in all its despicable, deceiving, destructive or honorable definitions. It meanders trough the labyrinth of the The Cemetery of Forgotten Books as well as the lives of the people who survived to tell their stories to Daniel. It was a constant reminder of what makes us all vulnerable and victorious in life. For Daniel, it was a fast, uncompromising road to adulthood in which no secrets remained hidden. For those who wanted to share their tales, words became a sort of melancholic revenge.

Nurieta Monford:  I began to dress like a pious widow or one of those women who seem to confuse sunlight with mortal sin. I went to work with my hair drawn back into a bun and no makeup. Despite my tactics, Sanmartí continued to shower me with lascivious remarks accompanied by his oily, putrid smile. It was a smile full of disdain, typical of self-important jerks who hang like stuffed sausages from the top of all corporate ladders.


While the first snow of winter dropped like tears of light on the Plaza de Cataluña, an old man, trying to catch the snow with his gloves, wished Daniel good luck, his eyes the color of gold, like magic coins at the bottom of a fountain. What else could Daniel do but clung to the blessing and run ...

The thing about words is that it takes us prisoner when rolled out by experienced wordsmiths. This is one of those moments, although I must admit that only the beginning chapters, almost to the middle, and the last third of the book finally captured me beyond imagination. I almost gave up, but the magic in the prose propelled me forward. Relentlessly.

I just realized why not anyone can write a book, but why everyone, like yours truly, can get lost in the melody flowing from the magical alphabetic strings, the symbiotic sounds of voices on paper. Sometimes it is this music that kept me reading, surpassing the moral of the story. The quality of thought and execution in this novel confirmed the addiction of words and books.

Humor and hope are strange bedfellows. It may manifest in the intimations of paradise ... a last dance with Eros ... 

Happiness in every which way had a purpose, even in galleries of despair, even softened by ecumenical disguise. Sincere laughter came. In 1966 it all made finally sense to Daniel Sempere. Doom and gloom have a counterbalance. A very good one. All it needed was time. And good readers to follow the light to the last full stop of the tale. 

The end.







Read this comprehensive and excellent biography of the author at

Classic Spanish Books

The Widow by Fiona Barton


































This book touched me so deeply that I simply cannot talk about it. Anything I say will destroy the feelings I am left with.

I don't even want to fall back on clichés such as magnificent, wonderful, brilliant, unbelievable.

My emotional reaction to this book astounds me.  Gut wrenching, heart breaking.

I urgently need to take a walk ... 

Later then.

BLURB
'Me, the grieving widow? Don't make me laugh.'

A voice as startling and unreliable as The Girl On The Train, a cast as compelling as Broadchurch. 

Jean Taylor is the wife of a man labelled a monster.

Glen Taylor was accused of heinous crimes, implicated in the disappearance of two-year-old Bella Elliot, snatched from her front garden four years ago. But now he’s dead and Jean Taylor is finally ready to tell her story.

For the reporter who has secured the exclusive interview, this is the scoop of a lifetime. For the detective who has lived a half-life since he failed to get justice for the lost little girl, it is a chance to uncover the truth that has eluded him for so long.

It's time. Jean Taylor is going to tell us what she knows.

























My career has taken some surprising twists and turns over the years. I have been a journalist - senior writer at the Daily Mail, news editor at the Daily Telegraph, and chief reporter at The Mail on Sunday, where I won Reporter of the Year at the National Press Awards, gave up my job to volunteer in Sri Lanka and since 2008, have trained and worked with exiled and threatened journalists all over the world.
But through it all, a story was cooking in my head.
The worm of my first book infected me long ago when, as a national newspaper journalist covering notorious crimes and trials, I found myself wondering what the wives of those accused really knew - or allowed themselves to know.
It took the liberation of my career change to turn that fascination into a tale of a missing child, narrated by the wife of the man suspected of the crime, the detective leading the hunt, the journalist covering the case and the mother of the victim.
Much to my astonishment and delight, The Widow was published in 36 countries and made the Sunday Times and New York Times Best Seller lists.
It gave me the confidence to write a second book ,The Child, in which I return to another story that had intrigued me as a journalist. It begins with the discovery of a newborn's skeleton on a building site. It only makes a paragraph in an evening newspaper but for three women it's impossible to ignore.
The Child will be published in June 2017 and I am embarking on my next novel. My husband and I are still living the good life in south-west France, where I am writing in bed, early in the morning when the only distraction is our cockerel, Titch, crowing.

The Breakdown by B.A. Paris














Cass was on the wrong road during a terrible storm. She saw a woman in a car in the middle of the woods, in the middle of the night. She did not stop long enough. She was too scared. It was raining so hard she could not understand why the woman did not ask her for help. Neither of them left their cars. The storm was rolling over them, preventing them to make contact, get out. When she arrived home she could not remember the mundane little things and needed her husband to remind her of appointments, events, invitation, setting the alarm clock. What was wrong with her? Why was it so difficult to pull herself together? And why could she not trust herself?

The answers came unexpectedly and too late.

I knew since the very beginning what was going on, but did not know how the drama would play itself out. Curiosity let me into almost the same predicament as the protagonist. Hers was serious. Cass was riddled with confusion and guilt. So was I, but for very different reasons. While she struggled to escape her situation, I had no intentions whatsoever to leave this psychological thriller and surface before the very end.

What a sad ending it was! I just wanted to cry for them all, while being relieved that it was over. What if she took a different route? What if ...

Water under the bridge, yes. For Cass the solution brought new possibilities and a new future. So it was a good ending. But was it really? After all that she went through Cass deserved a new tomorrow. An innocent, new born day...

This afternoon it was raining outside. Wonderful rain after three years of devastating drought. The four cats and two dogs were on the bed with me, listening to the storm outside. I was under a light blanket, reading as though my life depended on it. It was the perfect book for the perfect day.

I actually smiled when I finished this cozy book. Sadly I cannot tell you why ... :-))
I can tell you this, though, I will absolutely read this author again.

Excellent!











B A Paris grew up in England but has spent most of her adult life in France. She has worked both in finance and as a teacher and has five daughters. Behind Closed Doors is her first novel.






















Into The Water by Paula Hawkins









Paula Hawkins, a freelance journalist from London, firmly proved herself as a versatile writer by publishing romantic comedies under her pen name Amy Silver, as well as huge successful thrillers under her own name. Girl On The Train was a phenomenal bestseller, which she followed up with this second thriller Into The Water.

This book reminds me a lot about The Casual Vacancy by J.K.Rowling(a magnificent read in itself). Both books have the community of a small town in common, who address the impact and involvement of all the inhabitants in solving a mysterious death, with various narrators relating the events to authorities and readers.

From the book's epigraph:
"We now know that memories are not fixed or frozen, like Proust’s jars of preserves in a larder, but are transformed, disassembled, reassembled, and recategorized with every act of recollection. Hallucinations ~ Oliver Sacks"
Breckford, a small town in the British Isles must come to terms with the death of a single mother. A multi-character tale is told in which the truth and the memories populating it, become a conundrum of regrets, secrets, lost opportunities and redemption. Everyone feels guilty, nobody is willing to take the blame.
Erin: "It's a fucking weird place, Beckford. It's beautiful, quite breathtaking in parts, but it's strange. It feels like a place apart, disconnected from everything that surrounds it. Of course, it is miles from anywhere - you have to drive hours to get anywhere civilized. That's if you consider Newcastle civilized, which I'm not sure I do.

Beckford is a strange place, full of odd people, with a downright bizarre history. And all through the middle of it there's this river, and that's the weirdest thing of all - it seems like whichever way you turn, in whatever direction you go, somehow you always end up back at the river.
Those who stayed behind after the latest death of Nel Abbott had to deal with the mysterious attraction to the Drowning Pool in the river for women committing suicide. It was the legends surrounding these mysterious deaths that attracted Danielle(Nel) Abbott to the pool for the book she was writing about these women and their demises.

After her own death, she leaves the unfinished manuscript, as well as a fifteen-year-old daughter behind, who has no father listed on her birth certificate.

Nickie: "Some of them went into the river willingly and some didn't, and if you asked Nickie - not that anyone would, because no one ever did - Nel Abbott went in fighting. But no one was going to ask her and no one was going to listen to her, so there really wasn't any point in her saying anything. Especially not to the police..."

From Nel's manuscript:
The Drowning Pool', Danielle Abbott (unpublished):
I decided, while in the process of trying to understand myself and my family and the stories we tell each other, that I would try to make sense of all the Beckford stories, that I would write down all the last moments, as I imagined them, in the lives of the women who went to the Beckford Drowning Pool.

Its name carries weight; and yet, what is it? A bend in the river, that’s all. A meander. You’ll find it if you follow the river in all its twists and turns, swelling and flooding, giving life and taking it, too. The river is by turns cold and clean, stagnant and polluted; it snakes through forest and cuts like steel through the soft Cheviot Hills, and then, just north of Beckford, it slows. It rests, just for a while, at the Drowning Pool."
As atmospheric as you can wish for; picturesque as you can get, and intriguing as you cannot imagine.

Although the numerous narrators created constant confusion, the storyline was never broken, and the suspense kept flowing strongly along the river of words pulling this gripping saga together.

This is an excellent crime thriller. One of those sleep-snatchers.

Another book in the same genre, worth reading is
Did You Ever Have a Family by Bill Clegg.

RECOMMENDED!!!








Paula Hawkins is a British author, best known for her best-selling psychological thriller novel The Girl on the Train, which deals with themes of domestic violence, alcohol, and drug abuse. Wikipedia
Born: 26 August 1972 (age 44), Harare, Zimbabwe
Education: Keble College, Oxford
Movies: The Girl on the Train
Awards: Goodreads Choice Awards Best Mystery & Thriller, Glamour Award for Writer




Everything But The Truth by Gillian McAllister


REVIEW

In the Highlands of Scotland two people fell in love like two peas in a pod. Only to discover that they're going to have a baby and don't really know anything about each other, apart from knowing that they were meant to grow old together. 


In the picturesque little village, Oban, an old mansions and its inhabitants had a secret to protect, and in the city of Newcastle the young woman had her reasons for leaving her dream world of being a dedicated doctor. Relationships within Rachel's own family handicapped her efforts to move on and just be happy, trust people, fall in love with love and commitments in itself and feel comfortable with the life she chose to share with Jack, the freelance journalist.

The harder Jack tried to escape his history, the more obsessively Rachel delve into his past. She just could not stop herself, yet could not scrape enough courage together to tell him her own secret.

This atmospheric psychological thriller centers around forgiveness. In order to forgive others, one has to forgive oneself first and before that can actually happen, many mistakes are made and bad memories created. Lives can get ruined and futures can become meaningless, null and void, in the process. 

Richly textured and complex in character, the secrets in the book are slowly revealed. This beautifully written book leaves the reader with thought-provoking questions for which there are no easy answers. I did not like Rachel for most of the book, but in the end it was easy to understand her, and most IMPORTANTLY ... forgive her for rubbing me the wrong way. 

The ending was just perfect. I closed the book with an 'awwwwwww' that left me feeling optimistic and excited about life. 

Thus, a wonderful entertaining, suspenseful, compelling read; tense and intriguing, without ripping my guts out. 

An absolute YES! YES! YES!

BLURB
It all started with the email.

It came through to her boyfriend's iPad in the middle of the night. Rachel didn't even mean to look. She loves Jack, and she's pregnant with their child. She trusts him. But now she's seen it, she can't undo that moment, or the chain of events it has set in motion.

Why has Jack been lying about his past? Just what exactly is he hiding? And doesn't Rachel have a right to know the truth at any cost?

ABOUT THE AUTHOR
Gillian McAllister graduated with an English degree in 2006 and is now a lawyer with a large law firm.

Her blog has been featured in various publications including Company magazine. You can find it at www.gillianmcallister.com


She lives in Birmingham with her boyfriend and cat. 

Tuesday, May 20, 2014

October by Zoe Wicomb


MY REVIEW
Scotland / South Africa.
I am not sure if this book is more biography than fiction or the other way around. There are many similarities between the protagonist's and the author's lives. As I am not sure what is fact and what is fiction, I will review it as a fictitious tale.

Mercy, or Mercia, is an English senior lecturer at a Scottish university. She left South Africa in the early Seventies to settle overseas after deciding to make a new life for herself away from the political-discriminatory establishment, as well as her personal family situation. After many years her father dies and her brother, a totally and too-far-gone alcoholic, writes her a letter and pleads with her to return home.

Her life partner, a Scottish poet, has just decided to leave her after many years of sharing a life outside marriage with no children born from the relationship. She never wanted children and regards herself as a feminist.

To clear up her own emotional turmoil, as well as life, she decides to take a break and return to the dusty, semi-arid village in the Namaqualand region for a holiday, where she grew up with her brother, taken care of by their father after their mother died many years earlier. What she encounters there, the poverty, the desperation, the neglect, as well as the intelligent ignored little boy(her brother's son), shocks and depresses her. Her brother pleads with her to take the child.

The tiresome, slow moving narrative provides an in-depth look into the life of the brother and sister; their bitter relationship with their abusive father; the situation in which the little boy was born; her 'snobbish' attitude towards her sister-in-law; her broken love affair with her ex-life partner and her confusion with her true identity. 

After coming back and being suddenly thrust back into her past with all the emotions around the political as well as social memories of their world brought to life once again,she expects to feel the same as when she left, but too many changes occurred and the new experiences of her old world turns everything she held dearly as the truth upside down. What began as a social visit turned into a challenge in which she must navigate a new life for herself from it all. The little boy becomes a catalyst for the memories she kept locked away deep inside her. His innocence and trust in her unraffels the feelings of apathy and emotional arrest she so dearly cultivated to protect herself against a cruel South African political system and a new reality in Scotland which redefined her. 

When she is finally ready for an emotional as well as geographical turning point, sure of her new direction, a family secret destroys everything she ever held sacred. She had to become a middle-aged woman before she finally could face her true reality. There is a heritage she cannot escape, responsibilities she never wanted, consequences to the choices she made. 

The scenery in the book is excellently described. The protagonist's feelings are laid bare and dissected. For both international, as well as South African readers, the story will be both enchanting but equally heartbreaking. The Afrikaans words which is not explained in the narrative can easily be translated online. There are not too many of them. The words also do not interrupt the overall story and how everyone's life is interconnected with each other and nature. A fascinating experience!

There is such a wealth of emotions exposed in the book, so much human nature to discover as the reader becomes intimately involved with the characters as they develop and provide more colour and texture to the story. The reader is left with an insight into a multilayered true South African experience. Or rather, a glimpse into the world of a Colored family in a remote part of the country. It is not everyone's story. But it is an important as well as endearing one to share. I felt infinitely enriched by this book.

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BOOK BLURB
“Mercia Murray is a woman of fifty-two years who has been left.” Abandoned by her partner in Scotland, where she has been living for twenty-five years, Mercia returns to her homeland of South Africa to find her family overwhelmed by alcoholism and secrets. Poised between her life in Scotland and her life in South Africa, she recollects the past with a keen sense of irony as she searches for some idea of home. In Scotland, her life feels unfamiliar; her apartment sits empty. In South Africa, her only brother is a shell of his former self, pushing her away. And yet in both places she is needed, if only she could understand what for. Plumbing the emotional limbo of a woman who is isolated and torn from her roots, October is a stark and utterly compelling novel about the contemporary experience of an intelligent immigrant, adrift among her memories and facing an uncertain middle age.

With this pitch-perfect story, the “writer of rare brilliance” (The Scotsman) Zoë Wicomb—who received one of the first Donald Windham–Sandy M. Campbell Literature Prizes for lifetime achievement—stands to claim her rightful place as one of the preeminent contemporary voices in international fiction.

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ABOUT THE AUTHOR
Zoë Wicomb  was born in Namaqualand and attended the University of the Western Cape. After graduating, she left South Africa for England in 1970, where she continued her studies at Reading University. She lived in Nottingham and Glasgow and returned to South Africa in 1990, where she taught for three years in the department of English at the University of the Western Cape She gained attention in South Africa and internationally with her first work, a collection of short stories , You Can't Get Lost in Cape Town (1987), which takes place during the apartheid era. Her second novel, David's Story (2002), takes place in 1991 toward the close of the apartheid era and uses the ambiguous classification of coloureds to explore racial identity. Playing in the Light, her third novel, released in 2006, covers similar terrain conceptually, though this time set in contemporary South Africa and centering around a white woman who learns that her parents were actually coloured. She published her second collection of short stories, The One That Got Away. The stories, set mainly in Cape Town and Glasgow, explore a range of human relationships: marriage, friendships, family ties or relations with servants.

She was a winner of the 2013 Windham–Campbell Literature Prize for Fiction.

Zoe Wicomb resides in Glasgow where she teaches creative writing and post-colonial literature at the University of Strathclyde.

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BOOK INFORMATION
Genres : Scotland, South Africa, Namaqualand, Family, Drama, Literature
Formats: Hard cover , Audible
Number of Pages: 256
Publisher: New Press, The 
Publication date: March 4, 2014
Language: English
ISBN-10: 1595589627
ISBN-13: 978-1595589620
Purchase links:  Amazon USA | Amazon UK | Barnes & Noble